this was so fun and spooky with a really nice sapphic romance! the small town energy was on point. i was really glad to see such an upfront portrayal of comphet and how easy it can be to lose yourself in others’ expectations. i didn’t realize this was a debut until i hit the acknowledgements and was really impressed with Gould’s writing. i think some things in the final act didn’t quite work for me, but this was still so compulsively readable that i tore through it in just a couple sittings. i’m so excited to see what Gould comes out with next (more lesbians, she’s promised) and have already decided that she’s an auto-buy author for me.
content warnings: Homomisia & homomisic slurs; Hate crimes; Death of a child; Murder & attempted murder; Gun violence; Attempted drowning; Vivisepulture (being buried alive) (per the Trigger Warning Database)
This is by far one of the most inventive and well-written YA horror novels I have ever read. I picked it up after seeing Sarah rave about it and am so glad I decided to prioritize it. It’s the story of three strange sisters who are plagued by strange circumstances. Emphasis on the strange. I loved how atmospheric this was and how I felt truly wrapped up in the story; I probably would have read it all in one sitting had I not started it so late. While I wondered for a bit how it would all wrap up, the ending was truly better than anything I could have expected. I highly recommend this if you’re a fan of horror — although I’d steer quite clear if body horror bothers you at all.
content warnings: body horror; sexual assault; kidnapping; child death.
In I’m Afraid of Men, Vivek Shraya reflects on her experiences from being “sensitive” and feminine boy who learns to perform masculinity through her adulthood as a transgender woman. She explores how her relationships to and perceptions of men have changed with a bluntness that is educational to those who may not have experienced the intersection of misogyny, homophobia, and transphobia that she has faced. This is an incredibly compelling set of essays that force one to examine how they may be complicit in the ongoing oppression of others.
She describes how carefully her life must be navigated, how she often goes out in public dressed as a man to avoid violence, how she will remove her makeup before leaving a show she’s performed at, how her boyfriend sometimes accompanies her as a bodyguard of sorts. She reflects on how this anxiety, this terror, has weathered her body and her mind:
My fear of men… both protects my body… and erodes it… I have been stricken with numerous freak pains… that practitioners are unable to explain or cure. When they suspiciously ask me, ‘Are you sure nothing happened? You didn’t fall somewhere?’ I want to respond, ‘I live in fear.’
As she reflects on her experiences with men, she notes the women in the background. The girlfriend of the classmate who spit on her, who giggled instead of stopping him. A friend at a bar who told her she should be flattered when she was repeatedly groped. Cisgender women who dismiss her stories of transmisogyny, assuming the oppression they face is the same that she faces. Women with internalized misogyny who continue to tear down other women. As she recounts them, she adds “I’m also afraid of women.”
Shraya’s essays provide unique insight into how boys are socialized and how expectations of masculinity can be damaging, both to boys and men and the people they interact with. She also shares how dangerous life can be for men who do not adhere to our expectations for masculinity as well as for transgender women. This was a short, informative read that I highly recommend. I would love to see a full memoir from Shraya someday and will keep my eye out for more of her writing.
I am more sensitive to your footsteps, I think, than anyone alive.
This was an absolutely beautiful novella that I had a difficult time settling into. It took me probably ~30-40 pages to feel like I wasn’t completely lost, but I was still able to enjoy the poetic writing until I got there. A lot of the worldbuilding feels simultaneously intense and quite vague, but focusing on the characters was enough to pull me through. While there is a plot, this feels more like a dialogue than a story for the most part. I truly loved both Red and Blue and their relationship had me equal parts grinning and crying; I genuinely shed tears during the last quarter or so of the book. I’m so incredibly impressed with how El-Mohtar and Gladstone were able to weave this together and know that future rereads will certainly yield more. I look forward to picking this up again in the future!
Obviously are reviews are subjective, but I want to emphasize that all my ‘issues’ with this book are purely personal preference. I think this was well-written and it is clearly beloved by many! I just didn’t really jive with the writing style, it’s very much a story-inside-a-story and I had trouble parsing it all out. The prose is truly beautiful though, and the characters are all distinct and interesting. I did feel like a lot of the relationships were implied rather than spelled out; I tagged this as ‘polyamorous’ and don’t even know if that’s canon but it is how I read it personally.
I’ll definitely be recommending this even if it didn’t quite work for me, and while I don’t intend to continue the series I’ll still be keeping an eye out for Vo’s future works.
Bigfoot’s as American as apple pie and guns in schools.
While it’s been a while, I loved World War Z so much that I’ve read it through 2 or 3 times. I was worried Devolution wouldn’t live up to my recollection of Brooks’ writing, but I was completely wrong. While the two books differ in content and structure, I found them both absolutely riveting. I read this in just a few sittings because I just didn’t want to put it town. I found Kate to be a great narrator and the plot itself was extremely compelling. This is really a gritty reboot of the bigfoot myth, depicting them as the apex predators they would likely be. In addition to the tension and horror written into this, there’s also a gentle examination of the characters themselves and the ways in which we react to tragedy and adversity. I’ll be recommending this left and right for ages.
What kind of good man becomes a sheriff these days? What kind of good man joins his posse?
Queer librarians on horseback! Is there anything else for me to say? The cast in this is excellent, with many wlw characters as well as a non-binary love interest. There are also hints of polyamory, which I’m always a fan of. This is a Western that felt historic at first, but revealed itself to be a futuristic dystopia in which the US has reverted to the old days of horses and wagons. I would love more books set within this world to flesh out the setting, particularly a sequel to see what Esther gets up to next. The only thing I really struggled with a bit was the characterization of Esther, who I initially thought was much younger than she actually was. Even now, I’m not quite sure how old her character is meant to be. Otherwise, I really enjoyed this and am looking forward to picking up more from Gailey!
“Fucking hell,” Thursday said. “It’s almost like you can’t summon otherworldly beings into existence, let them loose on your enemies, and set up a culture of worship around them without people getting all crazy.”
i really liked this! it’s not necessarily a new favorite, but it’s an exciting horror novel that takes place in an anarchist commune and is filled with queer characters. i felt like things happened a little too quickly toward the end, and some scenes just didn’t feel organic, but otherwise i don’t really have any complaints! i’ll definitely be recommending it to others, as it’s a quick read to satisfy one’s horror cravings.
In a matter of weeks, Massachusetts has been overrun by an insidious rabies-like virus that is spread by saliva. But unlike rabies, the disease has a terrifyingly short incubation period of an hour or less. Those infected quickly lose their minds and are driven to bite and infect as many others as they can before they inevitably succumb. Hospitals are inundated with the sick and dying, and hysteria has taken hold. To try to limit its spread, the commonwealth is under quarantine and curfew. But society is breaking down and the government’s emergency protocols are faltering.
Dr. Ramola “Rams” Sherman, a soft-spoken pediatrician in her mid-thirties, receives a frantic phone call from Natalie, a friend who is eight months pregnant. Natalie’s husband has been killed—viciously attacked by an infected neighbor—and in a failed attempt to save him, Natalie, too, was bitten. Natalie’s only chance of survival is to get to a hospital as quickly as possible to receive a rabies vaccine. The clock is ticking for her and for her unborn child.
Natalie’s fight for life becomes a desperate odyssey as she and Rams make their way through a hostile landscape filled with dangers beyond their worst nightmares—terrifying, strange, and sometimes deadly challenges that push them to the brink.
There are elephants at the Southwick Zoo maybe thirty miles west, and Natalie hopes those fuckers are on lockdown.
My introduction to Paul Tremblay was A Head Full of Ghosts, which I absolutely adored. I’ve since read two more of his horror novels, and his newest short story collection; my experiences with the 3 varied slightly but I’m still a fan of Tremblay’s. I was particularly looking forward to this novel because I have a rabies phobia and could not imagine many things more terrifying than a super rabies epidemic. To read this during a worldwide pandemic was even more compelling.
Tremblay really hit it out of the park with this one. I picked my copy up as soon as I got home from the bookstore and literally didn’t put it down until I hit the last page. The entire story takes place in the span of just a few hours and there is such an urgency to it that I couldn’t imagine going to bed without finishing it.
This is really a twist on the traditional zombie story; those who are bitten by a carrier of the super rabies experience symptoms within an hour, compared to the traditional weeks one has with rabies as we know it. This means the virus in this story is spread remarkably quickly, leading those infected to become extremely violent and uncontainable. While the story itself is certainly action-packed, I found the ‘zombie’ story itself secondary to the characters. This is far more a story about the friendship between two women, and the lengths one will go to in order to save a loved one than it is a story about zombies.
And god, some of the pieces of this were prophetic as hell. At one point we meet a group of right wingers who insist that the virus is biowarfare unleashed by foreign countries — or by our own government, as a means of pushing vaccines. I’m sure some people will see these as caricatures but I honestly felt like I was seeing some of my relatives portrayed on the page. Even more: the panic and anger and fear of healthcare workers given insufficient training and even more insufficient PPE had me grimacing in sympathy, knowing that this was the case in my own country just a couple months ago.
Like I said above, the characters are really what made this for me. Rams, one of the POV characters, is a British biracial self-identified asexual woman (who I also read as aromantic). Natalie is a pregnant spitfire of a woman. I loved their relationship and felt like Tremblay did an incredible job of portraying what felt like a very real friendship. I was also delighted and surprised by the appearance of two characters from Disappearance at Devil’s Rock. While the two are not at all plot-dependent, I think one would struggle to connect with these characters and would find a specific interlude to be much less emotionally impactful if one had not read Disappearance. The discussions in this book also spoil some of the events in Disappearance, so I would highly recommend reading that first if it’s on your TBR!
Anyway, yeah, I just loved this book. I’m so impressed with Tremblay and am really looking forward to seeing whatever he puts out next!
content warnings: violence against animals and humans; animal [and human] death; gore; racism and xenophobia (challenged on page); death of a loved one.
“Starting to think communism is better than being dead.”
This was certainly, uh, a novel. This was my last read of the Hugo noms for this year and while I absolutely agree with its inclusion on the list, I can’t say I particularly loved this book. The nonlinear timeline is extremely confusing, in part because this is first person narration and the MC also has no idea what’s going on. It’s also just a confusing concept, period. The lack of linearity and large-ish cast also made it difficult to keep characters straight.
I did find a great deal of it to be compelling enough to keep me glued to my kindle, but also hit some spots where I was ready for us to wrap things up. I’m also not a huge fan of war narratives and felt like it hit a point where Hurley was hitting me over the head with her messages; on the other hand, a lot of the fascist elements were frighteningly timely. There was some interesting stuff done with gender, but I just didn’t get why it was handled the way it was; it would have been far more interesting to have a gender neutral MC than to wait until the final act to reveal the MC’s gender.
I guess I’m just not fully convinced by this one. I’ll definitely be recommending it to hard sci-fi fans and those who like war stories, but it wasn’t a big hit for me.