What kind of good man becomes a sheriff these days? What kind of good man joins his posse?
Queer librarians on horseback! Is there anything else for me to say? The cast in this is excellent, with many wlw characters as well as a non-binary love interest. There are also hints of polyamory, which I’m always a fan of. This is a Western that felt historic at first, but revealed itself to be a futuristic dystopia in which the US has reverted to the old days of horses and wagons. I would love more books set within this world to flesh out the setting, particularly a sequel to see what Esther gets up to next. The only thing I really struggled with a bit was the characterization of Esther, who I initially thought was much younger than she actually was. Even now, I’m not quite sure how old her character is meant to be. Otherwise, I really enjoyed this and am looking forward to picking up more from Gailey!
“Fucking hell,” Thursday said. “It’s almost like you can’t summon otherworldly beings into existence, let them loose on your enemies, and set up a culture of worship around them without people getting all crazy.”
i really liked this! it’s not necessarily a new favorite, but it’s an exciting horror novel that takes place in an anarchist commune and is filled with queer characters. i felt like things happened a little too quickly toward the end, and some scenes just didn’t feel organic, but otherwise i don’t really have any complaints! i’ll definitely be recommending it to others, as it’s a quick read to satisfy one’s horror cravings.
In a matter of weeks, Massachusetts has been overrun by an insidious rabies-like virus that is spread by saliva. But unlike rabies, the disease has a terrifyingly short incubation period of an hour or less. Those infected quickly lose their minds and are driven to bite and infect as many others as they can before they inevitably succumb. Hospitals are inundated with the sick and dying, and hysteria has taken hold. To try to limit its spread, the commonwealth is under quarantine and curfew. But society is breaking down and the government’s emergency protocols are faltering.
Dr. Ramola “Rams” Sherman, a soft-spoken pediatrician in her mid-thirties, receives a frantic phone call from Natalie, a friend who is eight months pregnant. Natalie’s husband has been killed—viciously attacked by an infected neighbor—and in a failed attempt to save him, Natalie, too, was bitten. Natalie’s only chance of survival is to get to a hospital as quickly as possible to receive a rabies vaccine. The clock is ticking for her and for her unborn child.
Natalie’s fight for life becomes a desperate odyssey as she and Rams make their way through a hostile landscape filled with dangers beyond their worst nightmares—terrifying, strange, and sometimes deadly challenges that push them to the brink.
There are elephants at the Southwick Zoo maybe thirty miles west, and Natalie hopes those fuckers are on lockdown.
My introduction to Paul Tremblay was A Head Full of Ghosts, which I absolutely adored. I’ve since read two more of his horror novels, and his newest short story collection; my experiences with the 3 varied slightly but I’m still a fan of Tremblay’s. I was particularly looking forward to this novel because I have a rabies phobia and could not imagine many things more terrifying than a super rabies epidemic. To read this during a worldwide pandemic was even more compelling.
Tremblay really hit it out of the park with this one. I picked my copy up as soon as I got home from the bookstore and literally didn’t put it down until I hit the last page. The entire story takes place in the span of just a few hours and there is such an urgency to it that I couldn’t imagine going to bed without finishing it.
This is really a twist on the traditional zombie story; those who are bitten by a carrier of the super rabies experience symptoms within an hour, compared to the traditional weeks one has with rabies as we know it. This means the virus in this story is spread remarkably quickly, leading those infected to become extremely violent and uncontainable. While the story itself is certainly action-packed, I found the ‘zombie’ story itself secondary to the characters. This is far more a story about the friendship between two women, and the lengths one will go to in order to save a loved one than it is a story about zombies.
And god, some of the pieces of this were prophetic as hell. At one point we meet a group of right wingers who insist that the virus is biowarfare unleashed by foreign countries — or by our own government, as a means of pushing vaccines. I’m sure some people will see these as caricatures but I honestly felt like I was seeing some of my relatives portrayed on the page. Even more: the panic and anger and fear of healthcare workers given insufficient training and even more insufficient PPE had me grimacing in sympathy, knowing that this was the case in my own country just a couple months ago.
Like I said above, the characters are really what made this for me. Rams, one of the POV characters, is a British biracial self-identified asexual woman (who I also read as aromantic). Natalie is a pregnant spitfire of a woman. I loved their relationship and felt like Tremblay did an incredible job of portraying what felt like a very real friendship. I was also delighted and surprised by the appearance of two characters from Disappearance at Devil’s Rock. While the two are not at all plot-dependent, I think one would struggle to connect with these characters and would find a specific interlude to be much less emotionally impactful if one had not read Disappearance. The discussions in this book also spoil some of the events in Disappearance, so I would highly recommend reading that first if it’s on your TBR!
Anyway, yeah, I just loved this book. I’m so impressed with Tremblay and am really looking forward to seeing whatever he puts out next!
content warnings: violence against animals and humans; animal [and human] death; gore; racism and xenophobia (challenged on page); death of a loved one.
“Starting to think communism is better than being dead.”
This was certainly, uh, a novel. This was my last read of the Hugo noms for this year and while I absolutely agree with its inclusion on the list, I can’t say I particularly loved this book. The nonlinear timeline is extremely confusing, in part because this is first person narration and the MC also has no idea what’s going on. It’s also just a confusing concept, period. The lack of linearity and large-ish cast also made it difficult to keep characters straight.
I did find a great deal of it to be compelling enough to keep me glued to my kindle, but also hit some spots where I was ready for us to wrap things up. I’m also not a huge fan of war narratives and felt like it hit a point where Hurley was hitting me over the head with her messages; on the other hand, a lot of the fascist elements were frighteningly timely. There was some interesting stuff done with gender, but I just didn’t get why it was handled the way it was; it would have been far more interesting to have a gender neutral MC than to wait until the final act to reveal the MC’s gender.
I guess I’m just not fully convinced by this one. I’ll definitely be recommending it to hard sci-fi fans and those who like war stories, but it wasn’t a big hit for me.
Burn Our Bodies Down by Rory Power To be published by Delacorte Press on July 7, 2020 my rating: ★★★★ (4) Goodreads avg: 4.13 (as of 2020-06-22) disclaimer: I received an advanced copy of this book from NetGalley and the publisher in exchange for review consideration. All of the opinions presented below are my own. Quotes have been taken from the advanced copy and are subject to change upon publication.
Okay, I really liked this. While I enjoyed Power’s debut, Wilder Girls, I feel like she really hit her stride here. I found myself drawn into Burn Our Bodies Down almost immediately. Margot came to life for me right away and I was so invested in her story and where it would go. The mystery was soo twisted and I was constantly on the edge of my seat waiting to see what would happen next. And I was absolutely wrong at every turn. My only problem was really some inconsistencies I’m sure will be ironed out in the final copy.
I never got good at recognizing attraction in other girls–it took me long enough to recognize it in myself, and even longer to say “lesbian,” without blushing.
I also love the queer rep in this; the main character is a lesbian and while there is no romance she has that little “do I want to be friends with her or do I want to kiss her” struggle that I think most wlw experience when they meet another woman they’re drawn to. I’m glad a romance wasn’t shoehorned in here; I feel like it would have been out of place in the story considering what’s going on.
Overall, this book is soooo good and I’ll definitely be recommending it in the future!
content warnings: Fire. Emotional abuse by a parent, including gaslighting. Familial and generational abuse. Body horror, some gore, blood (lighter, relative to Wilder Girls). Death. On page character death. Child/infant death (takes place off page but implied violence – pages 301 and 308 in the print ARC). Off-page gun violence. Emesis (mention of vomiting). (I removed one cw that I felt was a spoiler, but you can click the link for a more comprehensive list from the author that she will be updating as she receives feedback!)
My first read for Transathon! Anna-Marie McLemore is nonbinary and one of the main characters is a trans boy whose pronouns are both she/her and he/him.
While I enjoyed this, I wish I had liked it more! I thought that it was trying to do a little too much at once and subsequently ended up a bit scattered. The characters and their relationships really made the read worth it, but I was mainly confused about the magical realism element and felt like the ‘rules’ were kind of arbitrary. I also never felt a real sense of danger and thus wasn’t too invested in the swan aspect of the storyline. I definitely felt a lot could have been cut out of this to make it more enthralling. As a sidenote, I really liked the menstruation rep! Roja has heavy, painful periods and I appreciated their inclusion, although it also felt a bit heavy-handed at times.
The City in the Middle of the Night by Charlie Jane Anders Published by Tor Books on February 12, 2019 my rating: ★★★ Goodreads avg: 3.56 (as of 2020-06-29) Spoiler-free review
Would you give up everything to change the world?
Humanity clings to life on January–a colonized planet divided between permanently frozen darkness on one side, and blazing endless sunshine on the other.
Two cities, built long ago in the meager temperate zone, serve as the last bastions of civilization–but life inside them is just as dangerous as the uninhabitable wastelands outside.
Sophie, a young student from the wrong side of Xiosphant city, is exiled into the dark after being part of a failed revolution. But she survives–with the help of a mysterious savior from beneath the ice.
Burdened with a dangerous, painful secret, Sophie and her ragtag group of exiles face the ultimate challenge–and they are running out of time.
Part of how they make you obey is by making obedience seem peaceful, while resistance is violent. But really, either choice is about violence, one way or another.
This was such a strange book that felt almost needlessly complicated in some aspects. I could tell that Anders was extremely into her world building but I found it difficult to suspend my disbelief for some aspects of it. It reminded me a bit of Amatka: a society filled with unyielding rules. The comparisons largely end there, though.
I never felt strongly connected to any of the characters. Sophie didn’t feel solid enough as a pov character; she never really bypassed concept into full-fledged character for me and I didn’t feel like she had much agency. I struggled similarly with Mouth, who started off as a caricature and morphed into something softer that I didn’t quite understand. I just never felt fully convinced by either of them. The dialogue itself, while largely good, felt stilted in some parts. There were random scenes where I thought, “no one talks like that.”
I really struggled with the message of the story for a bit. It sort of felt like it was trying to push too many storylines together at once. If it was expanded into a series this would have made more sense, but as is it had a kind of claustrophobic feel to it. My mind was constantly dragged in several different directions and I wasn’t really sure what to expect next, but not necessarily in a good way.
I did really admire the way this tackled toxic relationships. Sophie is deeply in love with her best friend Bianca, although seemingly unable to admit it to herself. Bianca is privileged, self-centered, and blind to anything that doesn’t impact her directly. It was frustrating watching Sophie return to Bianca over and over, but it also makes sense in the context of their relationship (until their last meeting — that didn’t make sense to me).
Regardless of my criticisms, this was highly readable and I hope people will still give it a shot. I hit points where I just didn’t want to put the book down because the writing was so compelling and I really wanted to see what would happen next. It’s a good book, but I think cutting down a little would have gone a long way.
Transathon is taking place over the entire month of July! The goal is to read books about trans characters and/or by trans authors. I have a large possible TBR shelf on Goodreads and will be trying to read as many of these books as I can. Feel free to recommend anything else you think I’ll enjoy. I’d also love to read some more books by Black trans authors, if anyone has recommendations there as well! 🙂
Though his touch is gentle it feels bruising even through clothes: she can’t suffer a man to touch her, however well meant.
I wonder if I would’ve gotten along better with this had I not consumed so much media about the Salem witch trials over the course of my life (fun fact: one of my ancestors was in the trials). While the setting is different, the story is largely similar to those out of Salem — but make it gay. The novel is based on true events, though. My issue is just that I didn’t feel Hargrave brought anything new to the table with it; it was easy for me to see what was coming and I dreaded picking the book up. While I love my fair share of sad stories, I feel like I always get something out of them and that just wasn’t the case here. If you haven’t been inundated with stories of witch trials, I think this would work better for you. For me, it just felt like another of the same.
content warnings: death of a loved one, sexual assault, miscarriage
Sometimes you have to kill your darlings, you know?
i wish i had liked this more because it had a lot of potential. i just found it to be a little too disjointed for my tastes. i was at a loss a lot of the time and didn’t feel like the journey was fully worth the destination — as great as i found that destination to be. i even put this down for a few days because i was just bored reading it, which is a shame considering how wild the content itself is. i do think it’s worth giving a shot if the premise intrigues you, even if it didn’t work for me personally.