Book Reviews, Bookworm Blogging

Confessions [review]

Confessions by Kanae Minato, translated by Stephen Snyder
Published by Mulholland Books on August 19, 2014 (originally 2008)
my rating: ★★★.5 (3.5 stars)
Goodreads avg:
4.08 (as of 2020-08-24)
Spoiler-free review

Goodreads Bookshop | Author’s Website


Earlier this year, I read Penance by the same author and decided to pick up Confessions for Women in Translation month. Minato definitely seems to have a theme in her writing; both novels are highly disturbing in their own ways and deal with the topic of child death. I really liked the different perspectives in this and how the reader slowly got a fuller picture of what had happened and what was actively happening. I honestly wasn’t able to guess any of the twists, so I was kept on the edge of my seat the whole time. The matter-of-fact tone in which the whole thing was told added to the atmosphere as well. I’ll definitely be keeping an eye out to see if any more of Minato’s work is translated.


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Mexican Gothic [review]

Mexican Gothic by Silvia Moreno-Garcia
Published by Del Rey on June 30, 2020
my rating: ★★ (2 stars)
Goodreads avg:
3.83 (as of 2020-08-16)
Spoiler-free review

Goodreads Bookshop | Author’s Website


While I can see what others may have gotten out of it, this book just wasn’t for me. The first half dragged, and even when things picked up I didn’t find myself interested in continuing. I could go days without reading it just because I didn’t care. Even though the pacing and story didn’t really click with me, I recommend picking this up if you’re interested. The book is exactly what it labels itself: Mexican gothic. It is a genre I’d like to read more of, and I found myself reminded of Lovecraft Country in a lot of bits. I am glad to see I do seem to be in the minority as far as disliking this goes, and would like to give more of Moreno-Garcia’s work a shot.


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The Wicked Sister [review]

The Wicked Sister by Karen Dionne
To be published by G.P. Putnam’s Sons on August 4, 2020
my rating: ★★ (2 stars)
Goodreads avg: 
4.03 (as of 2020-07-22)
disclaimer: I received an advanced copy of this book from NetGalley and the publisher in exchange for review consideration. All of the opinions presented below are my own. Quotes have been taken from the advanced copy and are subject to change upon publication.

Spoiler-free Review

Goodreads | IndieBound | Author’s Website


But you can be evil even if you don’t choose it.

disclaimer: I received an advanced copy of this book from NetGalley and the publisher in exchange for review consideration. All of the opinions presented below are my own. Quotes have been taken from the advanced copy and are subject to change upon publication.

I was absolutely blown away by The Marsh King’s Daughter earlier this year and was highly anticipating Dionne’s newest release. Unfortunately, this one really fell short on expectations. If you want a mindless thriller with disturbing elements, please look no further. If you’re looking for anything more than that, perhaps think twice.

I was unconvinced from this from the start; the premise that this woman spent 15 years institutionalizing herself because she thought she did something that could have been disproven by a single line in a police report is quite frankly absurd to me. There continued to be inconsistencies and hyperbole that would pull me out of the story completely. For one, Rachel grew up learning the woods like the back of her hand. She was a vegetarian, essentially a pacifist, and deified nature. So how am I to believe that she repeatedly chucks her cigarettes to the ground and leaves them there? I know this is such a minor point to nitpick, but it just goes so vehemently against her character that I honestly couldn’t believe it! I saw the twist coming from a mile away, and one of the characters became so cartoonishly evil that it felt like Dionne wasn’t even taking things seriously anymore.

Never mind the fact that I’m starting to tire of the psychopath child trope and this truly added nothing to the genre of thrillers that rely on it. It really seemed like most of the thrills relied on pure shock value. This does work to its benefit in some ways: it’s difficult to put the novel down and it’s a fastpaced read. Something dreadful is truly lurking around every corner here.

There was also a strange fabulist element integrated into this — Rachel can apparently converse with animals. I thought at first that this was meant to skew the reader’s judgment of her: is she actually insane? But it really seems to serve little purpose other than furthering the plot in certain areas and getting Rachel to where she needs to be. It really felt like something that should have either been left out or utilized more thoroughly by Dionne.

So, this didn’t work for me at all I’m afraid. If you’re looking for something fast and simple and are able to suspend your disbelief, this could totally be the book for you. But if the above elements would be an issue, perhaps skip this one this time around.


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Disappearing Earth [review]

Disappearing Earth by Julia Phillips
Published by Knopf on May 14, 2019
my rating: ★★★★.5
Goodreads avg:
3.90 (as of 2020-08-02)
Spoiler-free review

This post contains affiliate links; if you use these links to make a purchase, I may earn a commission. Thanks for reading!

Goodreads Bookshop | Author Website


One hand came up to press on her sternum. Her heart hurt. If Marina could peel off her left breast, crack back her ribs, and grip that muscular organ to settle it, she would.

Let me start off by noting that this novel is primarily literary fiction; while a mystery sits at its core, there is little-to-nothing in the way of thrills and readers are going to be disappointed expecting them. The setup itself is atypical: essentially a collection of interconnected short stories, each following a different character (all women, if I recall correctly?). Think There There by Tommy Orange or Girl, Woman, Other by Bernardine Evaristo. Like these comparisons, Disappearing Earth also has a great deal of commentary to make on race, specifically racism impacting the indigenous peoples of Russia.

I was honestly shocked to discover that this was a debut. Phillips skillfully traces the web of connections surrounding the mystery of the two missing girls and was able to make me care so deeply about the majority of the characters in the single chapter she devotes to them. There were so many moments in this that felt like a punch to the gut, so many stories that made my heart ache. And all of this in less than 300 pages.

I’m so glad I read this and I’ll definitely be keeping an eye out for Phillips’ future works.


My current 2020 Women’s Prize Squad Longlist rankings:

  1. The Body Lies
  2. Disappearing Earth
  3. Girl, Woman, Other
  4. My Dark Vanessa
  5. Supper Club
  6. The Man Who Saw Everything
  7. My Name is Monster
  8. Ninth House
  9. Bunny
  10. The Mercies
  11. Frankissstein

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Burn Our Bodies Down [review]

Burn Our Bodies Down by Rory Power
To be published by Delacorte Press on July 7, 2020
my rating: ★★★★ (4)
Goodreads avg: 
4.13 (as of 2020-06-22)
disclaimer: I received an advanced copy of this book from NetGalley and the publisher in exchange for review consideration. All of the opinions presented below are my own. Quotes have been taken from the advanced copy and are subject to change upon publication.

Spoiler-free Review

Goodreads | IndieBound | Author’s Website


It’s about time love left a mark on me.

Okay, I really liked this. While I enjoyed Power’s debut, Wilder Girls, I feel like she really hit her stride here. I found myself drawn into Burn Our Bodies Down almost immediately. Margot came to life for me right away and I was so invested in her story and where it would go. The mystery was soo twisted and I was constantly on the edge of my seat waiting to see what would happen next. And I was absolutely wrong at every turn. My only problem was really some inconsistencies I’m sure will be ironed out in the final copy.

I never got good at recognizing attraction in other girls–it took me long enough to recognize it in myself, and even longer to say “lesbian,” without blushing.

I also love the queer rep in this; the main character is a lesbian and while there is no romance she has that little “do I want to be friends with her or do I want to kiss her” struggle that I think most wlw experience when they meet another woman they’re drawn to. I’m glad a romance wasn’t shoehorned in here; I feel like it would have been out of place in the story considering what’s going on.

Overall, this book is soooo good and I’ll definitely be recommending it in the future!

content warnings: Fire. Emotional abuse by a parent, including gaslighting. Familial and generational abuse. Body horror, some gore, blood (lighter, relative to Wilder Girls). Death. On page character death. Child/infant death (takes place off page but implied violence – pages 301 and 308 in the print ARC). Off-page gun violence. Emesis (mention of vomiting). (I removed one cw that I felt was a spoiler, but you can click the link for a more comprehensive list from the author that she will be updating as she receives feedback!)


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Disappearance at Devil’s Rock [review]

Disappearance at Devil’s Rock by Paul Tremblay
Published by William Morrow on March 14, 2017 (originally 2016)
my rating: ★★★.5
Goodreads avg:
3.58 (as of 2020-03-15)
Spoiler-free review

Goodreads IndieBound | Author Website

A family is shaken to its core after the mysterious disappearance of a teenage boy in this eerie tale, a blend of literary fiction, psychological suspense, and supernatural horror from the author of A Head Full of Ghosts.


Elizabeth sends her a list of groceries. As she types milk 1% and diet soda and 1 lb turkey and cheese and bread she wonders how it was she got here, to this particular moment; calmly texting an ordinary grocery list seconds after shutting off a national cable news show discussing the evils of her missing son.

This took me a bit to get into but ended up being quite thrilling. There were some very spooky bits and the “twist” (I suppose it could be called) was so disturbing it actually made me nauseous and I had to put down the book for a bit. This is an interesting combination of horror and thriller, and it’s hard to figure out which the book really is, so I’d classify it as both. I didn’t feel any of the characters besides Elizabeth were particularly compelling, but I did find the plot interesting and am glad I read it.


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Mini-Review Compilation #22

Gone at Midnight

disclaimer: I received an advanced copy of this book from NetGalley and the publisher in exchange for review consideration. All of the opinions presented below are my own.

I kept trying to push myself to pick this up, but just couldn’t press any further. The writing leaves a lot to be desired; I didn’t feel engaged with the content at any point. It really felt like the author was just regurgitating info they found online, and jumping from topic to topic without much of an idea of where they’re going.

There were several points at which I had to wonder how much independent research they had really done. One of these involved a quote from Elisa’s tumblr, where some thought she could have been commenting on graffiti from the roof. But I recognized it right away — it’s literally a quote from the Game of Thrones books. Could she have just been reading asoiaf? Yes! There’s no way for me to know whether the author knew this but either they intentionally left it out to make it look like Elisa had written it herself or they didn’t do the bare minimum of research it would take to realize this was a popular quote from a popular book series.

Regardless, I just didn’t feel like putting time in energy into reading a book I wasn’t at all enjoying.

Rating: DNF @ 15%

Face Off

pros:
-quick read
-mostly fun

cons:
-biphobic mc; assumed another wlw must be a lesbian and later said that she thought her ex (who she had dated for YEARS) who left her for a man was just a straight woman looking to experiment with “a dyke”
-the premise itself didn’t make that much sense to me (two people obviously into each other decide to fake date instead of just… dating)
-using an abusive stalker ex for drama
-mc has a homophobic teammate for ?? no reason, just more drama i guess even tho nothing comes of it
-editing issues (inconsistent timelines, mixed up names, etc)

Rating: ⭐️⭐️.5

The Outsider

This was a really great read, especially after I struggled so much with Mr. Mercedes. We run into just a couple of the same issues — namely, King’s obsession with Holly taking Lexapro (yes, Holly makes an appearance!). It was kind of funny to see Holly saying she absolutely could NOT drink because of her Lexapro when just about everyone I know who is on it drinks to no ill effect. Regardless, I thought this was a pretty clever way of doing the shapeshifter trope. As I began it, I thought “wait, how is he going to do this in a creative way?” but he really pulled it off. This was quite the spooky read and I had to put it down a few times while reading it alone at night. My only real complaint is that things kind of fell apart in the finale and I felt dissatisfied at the ending. Regardless, I highly recommend this but do be forewarned that there are major spoilers for the Bill Hodges trilogy. While it is not necessary to read the trilogy before this, do NOT read this first if you do plan to read the trilogy.

Rating: ⭐️⭐️⭐️⭐️


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Mini-Review Compilation #21

Foul is Fair

disclaimer: I received an advanced copy of this book from NetGalley and the publisher in exchange for review consideration. All of the opinions presented below are my own.

She looks at the bruises on my neck and the scratches across my face, but she doesn’t say anything.
So I point at my hair, and I say, This color. Know what it’s called?
She shakes her head: No.
I say, REVENGE.
She says, Good girl. Kill him.

This is the revenge story I’ve been dreaming about for ages and it was great. Apparently a Macbeth retelling (I am wholly unfamiliar with Macbeth), this was bloody as hell and pulled no punches. While ultimately an enjoyable read, both Jade and her coven were so cold and heartless that nothing about this felt realistic. Occasionally it felt a little repetitive and there were points where I just wanted to see where things would go. So while I would recommend this and am glad I read it, I’d also say it’s not necessarily a perfect read.

Rating: ⭐⭐⭐.5

The Roanoke Girls

This was really not what I was expecting, although not to the book’s detriment. What I thought would be more paranormal YA turned out to be an adult thriller. This is a tense story about some pretty serious topics and is masterfully woven throughout multiple timelines. Sometimes I find this confusing, but I felt it was extremely clear when we were in the story and was able to keep each point in time separate in my mind. The characters are all distinct and pretty fully fleshed out. I liked how dubious Lane’s morals felt at times and thought her character was handled well overall. Overall this was a pretty compelling read whose only downfall was that it sometimes felt pretty far-fetched. I’d definitely recommend it to those who can handle the content.

Rating: ⭐⭐⭐⭐

Pucked (Pucked #1)

Picked this up hoping for a fun, distracting romance and ended up having to DNF. The main character is SO childish and I struggled with the immaturity a lot. I didn’t feel any chemistry between Violet and Alex and the writing also wasn’t great enough to warrant continuing. What really pushed me over the edge was the *incessant* slut-shaming. Violet never stops putting down other women, assuming the worst of them, and thinking them terrible for… wanting to sleep with hockey players. Take a chill pill and get over yourself.

Rating: DNF


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We Need to Talk About Kevin [review]

We Need to Talk About Kevin by Lionel Shriver
Published by Counterpoint on May 1, 2011 (originally 2003)
my rating: ★★★★
Goodreads avg:
4.07 (as of 2020-02-15)
Spoiler-free review

Goodreads IndieBound | Author Website

That neither nature nor nurture bears exclusive responsibility for a child’s character is self-evident. But generalizations about genes are likely to provide cold comfort if it’s your own child who just opened fire on his fellow algebra students and whose class photograph—with its unseemly grin—is shown on the evening news coast-to-coast.

If the question of who’s to blame for teenage atrocity intrigues news-watching voyeurs, it tortures our narrator, Eva Khatchadourian. Two years before the opening of the novel, her son, Kevin, murdered seven of his fellow high school students, a cafeteria worker, and the much-beloved teacher who had tried to befriend him. Because his sixteenth birthday arrived two days after the killings, he received a lenient sentence and is currently in a prison for young offenders in upstate New York.

In relating the story of Kevin’s upbringing, Eva addresses her estranged husband, Franklin, through a series of startingly direct letters. Fearing that her own shortcomings may have shaped what her son became, she confesses to a deep, long-standing ambivalence about both motherhood in general—and Kevin in particular. How much is her fault?

We Need To Talk About Kevin offers no explanations for why so many white, well-to-do adolescents—whether in Pearl, Paducah, Springfield, or Littleton—have gone nihilistically off the rails while growing up in the most prosperous country in history. Instead, Lionel Shriver tells a compelling, absorbing, and resonant story with an explosive, haunting ending. She considers motherhood, marriage, family, career—while framing these horrifying tableaus of teenage carnage as metaphors for the larger tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.


Well, this was dark as hell. I think I had a general idea of what We Need to Talk About Kevin was about before going into it, but I had no idea the extent to which it would go. It’s formatted interestingly: a woman’s letters to her ex-husband exploring their past together, primarily her relationship with their son. Unfortunately this format didn’t work especially well with the writing style — it’s simply not believable to think someone would write letters like this — but ultimately did work extremely well in conveying what it was trying to convey.

I knew this about myself in advance, too: that I was just the sort of woman who had the capacity, however ghastly, to rue even so unretractable a matter as another person.

There was a lot to say about gender roles and expectations surrounding women, particularly the pressures to have children and how the experience is built up to be so much. There’s also some decent commentary on how women can be treated less like people and more like property once they become pregnant. The main character is clearly following the script she feels she should, rather than building the life she wants to. There’s also plenty of commentary on nature vs nurture that I won’t even begin to get into.

A boy is a dangerous animal.

If unlikeable characters are not your deal, you will not like this book. Eva herself is absolutely insufferable: she’s condescending and rude, and even though you root for her to a certain extent and see what she’s seeing, it’s easy to see her husband’s perspective as well. On the flip side, Franklin is a terrible husband. My internal monologue was saying “girl, dump him” the whole time I read this. He’s sexist, controlling, and completely stops seeing his wife as her own person. Please, do not even get me started on Kevin. It’s clear from the outset that he’s not a character we will like.

“You know, it is different when it’s yours. You can’t go home.” Indeed, my yearning to go home had grown recurrent, but was most intense when I was already there.

My biggest issue with this was that the first quarter or so felt dry as hell. While I understand why the slow buildup, I just kept waiting for something to happen. Once the ball gets rolling, though, this is pretty packed with underlying tension and had me waiting on the edge of my seat for what I knew was coming. There were a few moments where I actually brought my hand to my mouth in horror: not because Eva explicitly announced some terrible event, but because she hinted to it so subtly and clearly that it hit even harder. The subsequent descriptions weren’t nearly as impactful as the quiet reveals themselves.

Kevin was a shell game in which all three cups were empty.

I haven’t seen the movie so I can’t make a comparison, but this is one heavy and gripping piece of literature. I assume there’s no way the subtleties and introspective details of this novel could be translated to film, so I’m expecting a more surface-level story once I do watch the adaptation. Regardless, I definitely recommend this to those who feel they can work through the more dense literary fiction to get to the thriller within.


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Mini-Review Compilation #20

You Are Not Alone

disclaimer: I received an advanced copy of this book from NetGalley and the publisher in exchange for review consideration. All of the opinions presented below are my own.

I wish I had much to say about this, but I don’t. I’m sure this will satisfy a lot of people as an entertaining thriller. Unfortunately, I didn’t feel the plot was compelling and thought that Shay was sort of a weak, boring character. Usually thrillers have me desperate for answers, even if they’re lacking otherwise, but I didn’t have that experience here. It was readable enough for me to finish, but I think the biggest issue is that I didn’t feel a sense of urgency; I felt sure Shay would get out of this mess and instead of worrying for her, I just waited to see what would happen. The only piece I really liked was the running theme of statistics. Shay is a big and I loved the data book she kept. Clearly I’m in the minority on this though, and it is great that the somewhat large cast is almost entirely female.

Rating: ⭐⭐.5

Enduring Love

Objectively, I can see the appeal to this. It is generally well-written and there are some interesting aspects to it. Unfortunately, it totally lost me. I found myself mostly bored and not caring enough about the outcome to bother picking it up unless I had nothing else to do. I can certainly see this working for other people, but it definitely wasn’t for me.

Rating: ⭐⭐

Penance

This was, uh, strange. I struggled with it a lot and am not sure if that’s due to the writing itself or things getting lost in translation. The tone felt strangely monotone, which made it difficult for me to fully engage with the story. I also struggled to differentiate all the characters — partly because of the flat tone and partly because I felt like I was constantly having names thrown at me. I wish I had enjoyed this more because the format was interesting, as was the story itself. It will definitely stick with me, but it wasn’t something I really enjoyed reading.

Rating: ⭐⭐


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