Bigfoot’s as American as apple pie and guns in schools.
While it’s been a while, I loved World War Z so much that I’ve read it through 2 or 3 times. I was worried Devolution wouldn’t live up to my recollection of Brooks’ writing, but I was completely wrong. While the two books differ in content and structure, I found them both absolutely riveting. I read this in just a few sittings because I just didn’t want to put it town. I found Kate to be a great narrator and the plot itself was extremely compelling. This is really a gritty reboot of the bigfoot myth, depicting them as the apex predators they would likely be. In addition to the tension and horror written into this, there’s also a gentle examination of the characters themselves and the ways in which we react to tragedy and adversity. I’ll be recommending this left and right for ages.
I probably wouldn’t have read this if it hadn’t been chosen as a book club pick, but I don’t regret picking it up. It gave me old-timey-detective-novel vibes — but set in the future, and with robots. Sadly, although I only finished the book a couple days ago, it’s already largely left my thoughts and I can’t think of much to say about it. I probably won’t finish the series and I probably won’t prioritize reading more Asimov. The writing felt somewhat stiff to me, and the characters were all pretty one-dimensional. It’s a quick read, though, and probably worth picking up if you’re interested in the history of the C/Fe (or sci-fi) genre.
One by One is my first Ruth Ware book and was picked up on a whim after seeing a lot of buzz. I figured a thriller would be a good way to get myself back into reading since it’s been [checks notes] four months since I’ve read anything. And this was a fine book to break my reading slump. It was inoffensive, easy to get into, and decently written. It just didn’t have much more than that going for it. It was fast-paced and I devoured it in two sittings, but I wasn’t super satisfied upon finishing. I’d recommend this to anyone looking for a run-of-the-mill thriller, but caution not to expect much more than that.
Confessions by Kanae Minato, translated by Stephen Snyder Published by Mulholland Books on August 19, 2014 (originally 2008) my rating: ★★★.5 (3.5 stars) Goodreads avg: 4.08 (as of 2020-08-24) Spoiler-free review
Earlier this year, I read Penance by the same author and decided to pick up Confessions for Women in Translation month. Minato definitely seems to have a theme in her writing; both novels are highly disturbing in their own ways and deal with the topic of child death. I really liked the different perspectives in this and how the reader slowly got a fuller picture of what had happened and what was actively happening. I honestly wasn’t able to guess any of the twists, so I was kept on the edge of my seat the whole time. The matter-of-fact tone in which the whole thing was told added to the atmosphere as well. I’ll definitely be keeping an eye out to see if any more of Minato’s work is translated.
While I can see what others may have gotten out of it, this book just wasn’t for me. The first half dragged, and even when things picked up I didn’t find myself interested in continuing. I could go days without reading it just because I didn’t care. Even though the pacing and story didn’t really click with me, I recommend picking this up if you’re interested. The book is exactly what it labels itself: Mexican gothic. It is a genre I’d like to read more of, and I found myself reminded of Lovecraft Country in a lot of bits. I am glad to see I do seem to be in the minority as far as disliking this goes, and would like to give more of Moreno-Garcia’s work a shot.
The Wicked Sister by Karen Dionne To be published by G.P. Putnam’s Sons on August 4, 2020 my rating: ★★ (2 stars) Goodreads avg: 4.03 (as of 2020-07-22) disclaimer: I received an advanced copy of this book from NetGalley and the publisher in exchange for review consideration. All of the opinions presented below are my own. Quotes have been taken from the advanced copy and are subject to change upon publication.
disclaimer: I received an advanced copy of this book from NetGalley and the publisher in exchange for review consideration. All of the opinions presented below are my own. Quotes have been taken from the advanced copy and are subject to change upon publication.
I was absolutely blown away by The Marsh King’s Daughter earlier this year and was highly anticipating Dionne’s newest release. Unfortunately, this one really fell short on expectations. If you want a mindless thriller with disturbing elements, please look no further. If you’re looking for anything more than that, perhaps think twice.
I was unconvinced from this from the start; the premise that this woman spent 15 years institutionalizing herself because she thought she did something that could have been disproven by a single line in a police report is quite frankly absurd to me. There continued to be inconsistencies and hyperbole that would pull me out of the story completely. For one, Rachel grew up learning the woods like the back of her hand. She was a vegetarian, essentially a pacifist, and deified nature. So how am I to believe that she repeatedly chucks her cigarettes to the ground and leaves them there? I know this is such a minor point to nitpick, but it just goes so vehemently against her character that I honestly couldn’t believe it! I saw the twist coming from a mile away, and one of the characters became so cartoonishly evil that it felt like Dionne wasn’t even taking things seriously anymore.
Never mind the fact that I’m starting to tire of the psychopath child trope and this truly added nothing to the genre of thrillers that rely on it. It really seemed like most of the thrills relied on pure shock value. This does work to its benefit in some ways: it’s difficult to put the novel down and it’s a fastpaced read. Something dreadful is truly lurking around every corner here.
There was also a strange fabulist element integrated into this — Rachel can apparently converse with animals. I thought at first that this was meant to skew the reader’s judgment of her: is she actually insane? But it really seems to serve little purpose other than furthering the plot in certain areas and getting Rachel to where she needs to be. It really felt like something that should have either been left out or utilized more thoroughly by Dionne.
So, this didn’t work for me at all I’m afraid. If you’re looking for something fast and simple and are able to suspend your disbelief, this could totally be the book for you. But if the above elements would be an issue, perhaps skip this one this time around.
One hand came up to press on her sternum. Her heart hurt. If Marina could peel off her left breast, crack back her ribs, and grip that muscular organ to settle it, she would.
Let me start off by noting that this novel is primarily literary fiction; while a mystery sits at its core, there is little-to-nothing in the way of thrills and readers are going to be disappointed expecting them. The setup itself is atypical: essentially a collection of interconnected short stories, each following a different character (all women, if I recall correctly?). Think There There by Tommy Orange or Girl, Woman, Other by Bernardine Evaristo. Like these comparisons, Disappearing Earth also has a great deal of commentary to make on race, specifically racism impacting the indigenous peoples of Russia.
I was honestly shocked to discover that this was a debut. Phillips skillfully traces the web of connections surrounding the mystery of the two missing girls and was able to make me care so deeply about the majority of the characters in the single chapter she devotes to them. There were so many moments in this that felt like a punch to the gut, so many stories that made my heart ache. And all of this in less than 300 pages.
I’m so glad I read this and I’ll definitely be keeping an eye out for Phillips’ future works.
Burn Our Bodies Down by Rory Power To be published by Delacorte Press on July 7, 2020 my rating: ★★★★ (4) Goodreads avg: 4.13 (as of 2020-06-22) disclaimer: I received an advanced copy of this book from NetGalley and the publisher in exchange for review consideration. All of the opinions presented below are my own. Quotes have been taken from the advanced copy and are subject to change upon publication.
Okay, I really liked this. While I enjoyed Power’s debut, Wilder Girls, I feel like she really hit her stride here. I found myself drawn into Burn Our Bodies Down almost immediately. Margot came to life for me right away and I was so invested in her story and where it would go. The mystery was soo twisted and I was constantly on the edge of my seat waiting to see what would happen next. And I was absolutely wrong at every turn. My only problem was really some inconsistencies I’m sure will be ironed out in the final copy.
I never got good at recognizing attraction in other girls–it took me long enough to recognize it in myself, and even longer to say “lesbian,” without blushing.
I also love the queer rep in this; the main character is a lesbian and while there is no romance she has that little “do I want to be friends with her or do I want to kiss her” struggle that I think most wlw experience when they meet another woman they’re drawn to. I’m glad a romance wasn’t shoehorned in here; I feel like it would have been out of place in the story considering what’s going on.
Overall, this book is soooo good and I’ll definitely be recommending it in the future!
content warnings: Fire. Emotional abuse by a parent, including gaslighting. Familial and generational abuse. Body horror, some gore, blood (lighter, relative to Wilder Girls). Death. On page character death. Child/infant death (takes place off page but implied violence – pages 301 and 308 in the print ARC). Off-page gun violence. Emesis (mention of vomiting). (I removed one cw that I felt was a spoiler, but you can click the link for a more comprehensive list from the author that she will be updating as she receives feedback!)
A family is shaken to its core after the mysterious disappearance of a teenage boy in this eerie tale, a blend of literary fiction, psychological suspense, and supernatural horror from the author of A Head Full of Ghosts.
Elizabeth sends her a list of groceries. As she types milk 1% and diet soda and 1 lb turkey and cheese and bread she wonders how it was she got here, to this particular moment; calmly texting an ordinary grocery list seconds after shutting off a national cable news show discussing the evils of her missing son.
This took me a bit to get into but ended up being quite thrilling. There were some very spooky bits and the “twist” (I suppose it could be called) was so disturbing it actually made me nauseous and I had to put down the book for a bit. This is an interesting combination of horror and thriller, and it’s hard to figure out which the book really is, so I’d classify it as both. I didn’t feel any of the characters besides Elizabeth were particularly compelling, but I did find the plot interesting and am glad I read it.
disclaimer: I received an advanced copy of this book from NetGalley and the publisher in exchange for review consideration. All of the opinions presented below are my own.
I kept trying to push myself to pick this up, but just couldn’t press any further. The writing leaves a lot to be desired; I didn’t feel engaged with the content at any point. It really felt like the author was just regurgitating info they found online, and jumping from topic to topic without much of an idea of where they’re going.
There were several points at which I had to wonder how much independent research they had really done. One of these involved a quote from Elisa’s tumblr, where some thought she could have been commenting on graffiti from the roof. But I recognized it right away — it’s literally a quote from the Game of Thrones books. Could she have just been reading asoiaf? Yes! There’s no way for me to know whether the author knew this but either they intentionally left it out to make it look like Elisa had written it herself or they didn’t do the bare minimum of research it would take to realize this was a popular quote from a popular book series.
Regardless, I just didn’t feel like putting time in energy into reading a book I wasn’t at all enjoying.
cons: -biphobic mc; assumed another wlw must be a lesbian and later said that she thought her ex (who she had dated for YEARS) who left her for a man was just a straight woman looking to experiment with “a dyke” -the premise itself didn’t make that much sense to me (two people obviously into each other decide to fake date instead of just… dating) -using an abusive stalker ex for drama -mc has a homophobic teammate for ?? no reason, just more drama i guess even tho nothing comes of it -editing issues (inconsistent timelines, mixed up names, etc)
This was a really great read, especially after I struggled so much with Mr. Mercedes. We run into just a couple of the same issues — namely, King’s obsession with Holly taking Lexapro (yes, Holly makes an appearance!). It was kind of funny to see Holly saying she absolutely could NOT drink because of her Lexapro when just about everyone I know who is on it drinks to no ill effect. Regardless, I thought this was a pretty clever way of doing the shapeshifter trope. As I began it, I thought “wait, how is he going to do this in a creative way?” but he really pulled it off. This was quite the spooky read and I had to put it down a few times while reading it alone at night. My only real complaint is that things kind of fell apart in the finale and I felt dissatisfied at the ending. Regardless, I highly recommend this but do be forewarned that there are major spoilers for the Bill Hodges trilogy. While it is not necessary to read the trilogy before this, do NOT read this first if you do plan to read the trilogy.